Mark Moore Fine Art Presents ULTRA 24 – An Exclusive ARTSY Online Group Exhibition

Daniel DuFord “Summer Reverie” 2022

Mark Moore Fine Art is excited to present “ULTRA 24“, a summer group exhibition featuring new work from a diverse group of gallery artists. This exhibition will continue the tradition of the gallery’s “Ultrasonic” Group Survey, dating back to the “Ultrasonic International” Exhibition in 2006. The show will open on June 6th and continue through September 15, 2024.

VIEW THIS SHOW NOW AT: https://bit.ly/3V1FS3o

ULTRA 24” will feature one new work from virtually all the gallery’s artists, showcasing the wealth of talent represented by the gallery. The exhibition will include a range of mediums and techniques, showcasing the diversity of styles and interests of the artists. Some of the featured highlights include an important new wall work by Yoram Wolberger, a major new outdoor sculpture by Tim Bavington, and a new fantasy TV sitcom blueprint work by Mark Bennett.

Artists included in this exhibition are Rebekah Andrade; Michael Batty; Tim Bavington; Mark Bennett; Alex Blau; Ken Craft; Daniel Duford; Dennis Ekstedt; Jimi Gleason; Jennifer Gunlock; Julie Heffernan; Clay Johnson; David Klamen; Kara Maria; Zemer Peled; Jeanne Quinn; David Rathman; Kim Rugg; Jason Salavon; Allison Schulnik; Heidi Schwegler, Robert Standish; Lisa Stefanelli; Ben Weiner; and Yoram Wolberger.

“We are thrilled to bring this group exhibition to our audience,” says Gallery Director Mark Moore. “It’s a fantastic opportunity to see the latest work from our talented artists and get a taste of the diverse range of mediums and techniques they are exploring.”

“ULTRA 24” continues the gallery’s long-standing tradition of showcasing the most innovative and cutting-edge work in the contemporary art world. Since its inception in 1983, Mark Moore Fine Art has been dedicated to promoting emerging and established artists and providing a platform for their work to be recognized and appreciated by a wider audience.

#MarkMooreFineArt #Ultra24 #SummerExhibition #CuttingEdgeArt #ContemporaryArt #NewArtists #ArtShow #SaveTheDate #2024ArtScene

Penelope Umbrico: “Mountains, Moving: Light Leaks, and Chemical Burns” | An ARTSY Legacy Exhibition On View Now

Penelope Umbrico: “Mountains, Moving: Light Leaks, and Chemical Burns” | An ARTSY Legacy Exhibition On View Now

Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of Penelope Umbrico: Mountains, Moving: Light Leaks, and Chemical Burns as part of our new ARTSY LEGACY SERIES of exhibitions. These are the artists and shows over the last 15 years on ARTSY that have been the most acclaimed and the most viewed by their patrons and art critics.

I urge you to visit the site now and view this truly wonderful body of work at: bit.ly/3w7SHPz

PENELOPE UMBRICO offers a radical reinterpretation of everyday consumer and vernacular images. Umbrico works “within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects, and information that surrounds us, searching for decisive moments—but in these worlds, decisive moments are cultural absurdities.”

Penelope Umbrico (born in Philadelphia, 1957) graduated from the Ontario College of Art and Design in Toronto, and received her MFA from the School of Visual Arts, New York. She has participated extensively in solo and group exhibitions, including at the San Francisco Museum of Modern Art and PS1 Contemporary Art Center, New York. Umbrico is core faculty in the School of Visual Arts MFA Photography, Video, and Related Media Program. Selected public collections include the Guggenheim Museum (NY), International Center of Photography (NY), McNay Museum of Art (TX), Metropolitan Museum of Art (NY), Museum of Contemporary Photography (IL), Museum of Contemporary Art, San Diego (CA), Museum of Modern Art (NY), and the San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), among others. She lives in New York City.

For more information, go to:  http://bit.ly/2Lm1TGt

#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #penelopeumbrico

Mark Moore Fine Art presents the second of our two solo exhibitions by REBEKAH ANDRADE for 2024 titled FULFILLMENT AMIDST FLUX as an exclusive ARTSY online exhibition opening May 23rd

🎨 See Rebekah Andrade‘s exclusive ARTSY online exhibition titled FULFILLMENT AMIDST FLUX presented by @MarkMooreGallery and immerse yourself in the transformative power of change. Join us at https://bit.ly/3URHjBv

Mark Moore Fine Art presents the second of our two solo exhibitions by REBEKAH ANDRADE for 2024 titled FULFILLMENT AMIDST FLUX as an exclusive ARTSY online exhibition opening May 23, 2024. @MarkMooreGallery Invites you to explore Andrade‘s newest work encapsulating the dynamic interplay between creative expression and life’s ever-changing landscapes. 

#FulfillmentAmidstFlux #RebekahAndrade #AbstractArt #Transformation #Change #ArtExhibition #ContemporaryArt #CreativeExpression #LifeLandscape #CharlotteArtists #NewArtShow #ArtShowcase #ContemporaryArtGallery #ArtInspiration #ArtJourney #ArtistsOfInstagram

Mark Moore Fine Art presents the second of our two solo exhibitions by REBEKAH ANDRADE for 2024 titled FULFILLMENT AMIDST FLUX as an exclusive ARTSY online exhibition opening May 23rd

🎨 See Rebekah Andrade‘s exclusive ARTSY online exhibition titled FULFILLMENT AMIDST FLUX presented by @MarkMooreGallery and immerse yourself in the transformative power of change. Join us at https://bit.ly/3URHjBv

Mark Moore Fine Art presents the second of our two solo exhibitions by REBEKAH ANDRADE for 2024 titled FULFILLMENT AMIDST FLUX as an exclusive ARTSY online exhibition opening May 23, 2024. @MarkMooreGallery Invites you to explore Andrade‘s newest work encapsulating the dynamic interplay between creative expression and life’s ever-changing landscapes. 

#FulfillmentAmidstFlux #RebekahAndrade #AbstractArt #Transformation #Change #ArtExhibition #ContemporaryArt #CreativeExpression #LifeLandscape #CharlotteArtists #NewArtShow #ArtShowcase #ContemporaryArtGallery #ArtInspiration #ArtJourney #ArtistsOfInstagram

Must See: Matt Pizzano’s “The Grass Is Always Greener On TV” which charts the life of Mark Bennett

Bennett_modern_family_2018

Image: Mark Bennett, The Pritchett Family Plans (Modern Family), 2017 / Lithograph on Rives BFK paper / 29 × 40 in / Edition of 20 + 2AP

Capturing what feels like a lifetime in only 15-minutes, Matt Pizzano’s The Grass Is Always Greener On TV charts the life of Mark Bennett, who became famous for blueprinting every detail of the homes in the 1950s television shows he religiously watched as a child. An incredibly moving artist profile doc, the film’s glossy production and rich narrative arc echo much of the charm of the classic Hollywood that Bennett himself adored. In exploring one man’s attempt to escape into a fantasy world, Pizzano beautifully encapsulates the essence of an artist who must overcome his demons.

VIEW THIS FILM AT THE FOLLOWING LINK: https://youtu.be/_5UGXThye7M

 

The Grass Is Always Greener On TV uncannily juxtaposes the dark parts of Bennett’s life with the surreally perfect lives within the television shows he obsessed over. Using a combination of home video, talk show appearances, and interview footage (along with a bit of re-staging), Pizzano, alongside producer Nic Wehmeyer, build a story that feels like it should play on one of the old television screens where Bennett found so much comfort.

 

Accentuating the ironic comparison, the film was shot in the classic 4:3 aspect ratio, with a musical score that sounds just like something from decades past. As various clips from I Love Lucy and Leave It To Beaver play over Bennett’s confessions of a traumatic childhood, the effects of which would continue to plague him well into adulthood, Pizzano chillingly reveals the dangers of living in fantasy.

 

Pizzano’s greatest challenge was finding a way to bring to life both Bennett’s internal struggle and his vivid imagination, in a way that didn’t distract from the story. Motion graphics were therefore employed to illustrate Bennett’s work, with the help of the director’s creative partner and producer of the film Nic Wehmeyer.

 

As Bennett’s blueprints animate over the shows he studied so meticulously, Pizzano was able to translate the artist’s thought process to the screen. Coupled with stylish editing techniques, The Grass Is Always Greener On TV transcends the traditional profile doc and strikingly depicts a journey of a man who must overcome deep trauma and abuse.

 

Delightfully empowering and one of the most compelling real-life character arcs we’ve seen in a documentary, The Grass Is Always Greener On TV reminds us all how important it is to accept ourselves and others, flaws and all.

For more information on Mark Bennett, please contact: info@markmoorefineart.com

#laart #laartist #losangelesart #losangelesartist #losangelesartists #abstractart #modernart #contemporaryart #dailyart #instaart #artcollectors #artcollector #artcritic #collector #modernartist #contemporaryartist #abstractartist #artcollective #arte #kunst

MEHGAN SMYTHE: RECENT EXPLORATIONS IN CERAMIC SCULPTURE | An Exclusive ARTSY Online Exhibition On View Now

MEHGAN SMYTHE: RECENT EXPLORATIONS IN CERAMIC SCULPTURE | An Exclusive ARTSY Online Exhibition On View Now

We are proud to present the new ceramic works of Meghan Smythe in her exclusive ARTSY exhibition, “Recent Explorations in Ceramic Sculpture”. Through her use of traditional monument format, Smythe captures the delicate balance between intimacy and brutality, beauty and ugliness.

VIEW THIS SHOW NOW AT: https://bit.ly/48ZMQcJ

Using a traditional sculptural format (the monument), Meghan Smythe captures contradicting extremes within human gesture: intimacy and brutality, beauty and ugliness, or the lewd and tender. In her attempt to achieve an “elegant vulgarity,” she encapsulates moments that define our mortality in unanticipated ways; oftentimes toeing the delicate line between erotic and macabre tendencies that give way to life, and ultimately death. Glass, ceramic, and concrete are woven together in an elaborate, orgy-like web of body parts and organic artifacts, as if suddenly cast with Pompeii-like circumstances. Like excavated antiquities or fossils, Smythe’s ceramic compositions allude to the cyclical nature of civilization – a dramedy in which all of the players are subject to conquest and demise.

Smythe (b. 1984, Kingston, ON) received her MFA from the Alfred University School of Art and Design (NY). Her work has been shown at the Arizona State University Art Museum (AZ) and the Gardiner Museum, Toronto (ON). She was the Visiting Artist in Residence at California State University, Long Beach (CA) from 2012-2014.

For more information or additional press materials, please visit: www.markmoorefineart.com

#contemporaryart#abstractart#artcurator#artstudio#studioview#artist#art#modernart#contemporaryart#dailyart#instaart#instagood#contemporaryartist#kunst#artcollectors #markmoorefineart #meghansmythe

ARTSY LEGACY EXHIBITION ON VIEW NOW: Mark Bennett: Dream Houses – Thirty Years of Fantasy Blueprints

ARTSY LEGACY EXHIBITION ON VIEW NOW: Mark Bennett: Dream Houses – Thirty Years of Fantasy Blueprints

@MarkMooreGallery is very pleased to present an Exclusive ARTSY Online Exhibition of Mark Bennett: Dream Houses – Thirty Years of Fantasy Blueprints as part of our new ARTSY LEGACY SERIES of exhibitions. These are the artists and shows over the last 15 years on ARTSY that have been the most acclaimed and the most viewed by their patrons and art critics.

I urge you to visit the site now and view this truly wonderful body of work at this link: bit.ly/2TEosfV

Since his induction into the gallery in 1995, Mark Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). His work has been acquired for the permanent collections at the Museum of Modern Art (NY), Los Angeles County Museum of Art (CA), Orange County Museum of Art (CA), Corcoran Gallery of Art (DC), West Collection (PA), and the Portland Art Museum (OR), among others. Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).

#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #markbennett 

Special Release: MICHAEL BATTY “THE WHITE PLAINS PORTFOLIO” 

MICHAEL BATTY
Ascend, 2020
Archival pigment print on 100% cotton acid free paper
12 × 33 in / 30.5 × 83.8 cm
Editions 1-5 of 10 + 2AP
$600

Just Released: MICHAEL BATTY “THE WHITE PLAINS PORTFOLIO” 

In this new series of limited edition prints, artist Michael Batty explores the variations on these themes that led him to his major monumental painting commission for the White Plains Hospital in 2020. The WHITE PLAINS PORTFOLIO is a set of seven works – each an edition of ten with just two artist proofs. The first five sets of these works will be released today in pre-publication as a set of all seven pieces at a special price of $3150. for the entire portfolio.

CLICK HERE TO VIEW THESE WORKS NOW: https://bit.ly/3kvaWFk

#markmoorefineart #markmooregallery 

#artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist #michaelbatty

Getty Research institute Adds Eric Orr Archive

The Eric Orr documentary archive and papers are now part of Getty Special Collections

ERIC ORR
Oceans of Time, 1987
Lead, Blood, and Oil on canvas
53 × 44 × 1 3/4 in ‘ 134.6 × 111.8 × 4.4 cm

https://www.artsy.net/artwork/eric-orr-1939-1998-oceans-of-time

The photographs, slides, and negatives of paintings, sculptures, and fountains by contemporary artist Eric Orr have recently been acquired by the Getty Research Institute (GRI). The archive also includes schematic drawings and plans for Orr’s public works, as well as ephemera, clippings, and administrative files that detail his life and practice.

Eric Orr (1939-1998) is a key figure of the Light and Space movement in Southern California. Born in 1939 in Covington, Kentucky, Orr graduated from the Kentucky Military Institute in 1958 and spent his early years traveling across the United States and Cuba. He briefly attended the University of Cincinnati in the early 1960s, where he produced his first sculpture, Colt .45, a work later known as Saturday Night Special. The work featured a mounted pistol facing a chair; viewers could sit and control the pistol via a foot pedal. Orr participated in civil rights protests in Mississippi in 1964 before relocating to Los Angeles in 1965, where he began to produce performances, sound art, and perceptual installations, using the elemental qualities of silence, sound, darkness, and light as material. Among these works was Zero Mass (1972-1973), an immersive 38-foot-long installation made of paper, where up to five people could enter a dark oval chamber and, after 10 to 12 minutes, experience altered vision from the lack of spatial perception. Developing alongside both Southern California conceptual art and the perceptual-based installations commonly associated with Light and Space art, Orr’s work spanned a variety of artistic practices that challenged the definition of artmaking while also incorporating a broad range of cultural references, including space icons found in ancient religions and cultures, Egyptian symbolism, and Buddhist spiritualism. From the 1970s onward, Orr created a diverse body of atmospheric monochrome paintings using airbrushing and oil paint, wall-mounted sculptures, and public artworks which incorporated a variety of elements including fire, water, gold, volcanic ash, meteorite dust, and his own blood.Orr participated in a number of international exhibitions during his life, including documenta VII (1982), the Sydney Biennale (1986), and the Venice Biennale (1986). His work can be found in many public and private collections, including the Los Angeles County Museum of Art; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; and the Centre Pompidou, Paris; Orr died in Venice, California, in 1998.

The archive will be open to researchers and is among numerous archives at the GRI related to the Light and Space movement and Southern California artists and curators, making it the ideal home for his legacy. 

Learn more about the Getty Research Institute Special Collections here:https://www.getty.edu/research/special_collections/

The archive is available for research here gty.art/orr_findingaid

#laart #laartist #losangelesart #losangelesartist #losangelesartists #abstractart #modernart #contemporaryart #dailyart #instaart #artcollectors #artcollector #artcritic #collector #modernartist #contemporaryartist #artcollective #arte #kunst #markmoorefineart #ericorr

Congratulations to Tim Bavington on his impressive outdoor installation at the Otay Mesa Land Port of Entry, San Diego CA.

Congratulations to Tim Bavington on his impressive outdoor installation at the Otay Mesa Land Port of Entry, San Diego CA. This U.S. GSA Art-in Architecture project was 14 years in te making.


The Art-in-Architecture Award was part of the GSA Otay Mesa Land Port of Entry Modernization Project. The Otay Mesa LPOE is the busiest commercial port in California, processing over $13.5 billion in exports; $37.4 billion in imports (fiscal year 2021); approximately 1 million commercial trucks; over 2 million pedestrians; and 5 million privately owned vehicles (POVs) annually.


Tim Bavington (b. 1966, England) received his BFA from the Art Center (CA) before making the permanent move to Las Vegas, where he completed his MFA at the University of Nevada, Las Vegas (NV). His work is included in the public collections of Fredrick R. Weisman Collection (CA), Crocker Art Museum (CA), Honolulu Art Museum (HI), Albright-Knox Art Gallery (NY), Creative Artists Agency (CA), Joslyn Art Museum (NE), Museum of Contemporary Art, San Diego (CA), Portland Art Museum (OR), United Talent Agency (CA), Vivendi Universal (CA), Palm Springs Art Museum (CA), Denver Art Museum (CO), The Museum of Modern Art (NY), Nora Eccles Harrison Museum of Art, Utah State University (UT) and the McNay Art Museum (TX).


Follow @timbavington for more updates on his incredible work. #TimBavington #UniversalLight #LuzUniversal #OutdoorInstallation #GSA #OtayMesaLandPortOfEntry #ArtInArchitecture #PublicArt #ContemporaryArt #Sculpture #ModernizationProject #SanDiego #LasVegas #Congratulations #ArtistSpotlight #ArtCommunity
 #FollowForMore #markmooregallery #markmoorefineart