Mark Moore Fine Art proudly presents ULTRA 26, an exclusive ARTSY online group exhibition featuring new works from 23 talented gallery artists

Mark Moore Fine Art proudly presents ULTRA 26, an exclusive ARTSY online group exhibition featuring new works from 23 talented gallery artists. Continuing a tradition that began with the “Ultrasonic International” Exhibition in 2006, this show highlights a diverse range of mediums and styles, showcasing the vibrant creativity of our artists.

Experience fresh, innovative pieces from: Josh Azzarella, Mark Bennett, Iván Carmona, Ken Craft, Dennis Ekstedt, Amy Elkins, Vernon Fisher, Jennifer Gunlock, Todd Hebert, David Klamen, Dimitri Kozyrev, Beth Lipman, Jeffry Mitchell, Okay Mountain, Max Presneill, Joseph Rossano, Kim Rugg, Christopher Russell, Jason Salavon, Allison Schulnik, Heidi Schwegler, Dirk Stashke, and Yoram Wolberger.

Dive into the cutting edge of contemporary art with ULTRA 26—an unmissable celebration of creativity and talent.

VIEW THIS SHOW NOW AT: https://bit.ly/4ybDwQo

Visit www.markmooregallery.com for more info.

#MarkMooreFineArt #ULTRA26 #ContemporaryArt #GroupExhibition #ArtShow #GalleryArtists #ModernArt #ArtCollectors #VisualArt #ArtExhibition #Artsy #EmergingArtists #FineArt #CreativeExpression #ArtLovers #ArtCommunity #InnovativeArt #MixedMedia #ArtGallery #SupportArtists

Mark Moore Fine Art is proud to announce that MCNAY ART MUSEUM has acquired a major work by artist MARK BENNETT for its permanent collection

Mark Bennett
Home of Bruce Wayne and Dick Grayson (Batman), 2015
Archival pigment print on Hot Press Cotton Rag
32 × 48 in (81.3 × 121.9 cm)
Edition of 10 + 2AP
Collection of the McNay Art Museum

Mark Moore Fine Art is proud to announce that MCNAY ART MUSEUM has acquired a major work by artist MARK BENNETT for its permanent collection. 

Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture. Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA).Mark Bennett is in the Public Collections of several prestigious institutions, including the Museum of Modern Art in New York, NY, and the Los Angeles County Museum of Art in Los Angeles, CA. His works are also part of the Corcoran Gallery of Art in Washington, D.C., and the Portland Art Museum in Portland, OR. Additionally, he is represented in The Contemporary Museum in Honolulu, Walker Art Center in Minneapolis, MN, and the New York Public Library in New York, NY. Other notable collections include the Orange County Museum of Art in Newport Beach, CA, the Children’s Museum in Indianapolis, IN, and the Richard F. Brush Art Gallery at St. Lawrence University in Canton, NY. His works can also be found at the University of Colorado in Boulder, CO, and the List Visual Arts Center at the Massachusetts Institute of Technology in Cambridge, MA. He is included in the collections of Microsoft Corporation in Redmond, WA, and the West Collection in Oaks, PA, as well as the Crocker Art Museum in Sacramento, CA and the Laguna Art Museum in Laguna Beach, CA. Further representations can be found at the Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas, and the Nora Eccles Harrison Museum of Art at Utah State University. His artwork is also housed in the Museum of Fine Art in Houston, the Getty Research Institute in Los Angeles, CA, the Frederick R. Weisman Art Foundation in Los Angeles, CA, Seattle Art Museum, Herbert F. Johnson Museum at Cornell University, and the McNay Museum in San Antonio, TX. The McNay Art Museum in San Antonio, Texas, is Texas’ first modern art museum, founded by heiress Marion Koogler McNay, who bequeathed her Spanish Colonial Revival home and art collection to create it, opening in 1954. It showcases significant works of modern and contemporary art, including pieces by Picasso, Van Gogh, Hopper, O’Keeffe, and Pollock, alongside extensive prints, drawings, and theater arts, set within beautiful landscaped grounds featuring sculptures. 

For more information on this artist, go to: https://www.markmoorefineart.com/artists/mark-bennett

#markmoorefineart #markmooregallery #markbennett #print #modernart #contemporaryart #artcollector

Mark Moore Fine Art proudly announces that the McNay Art Museum has acquired ‘Holiday, Atlanta. GA’ (2016) by Amy Elkins for its permanent collection

AMY ELKINS (AMERICAN, B. 1979)
“HOLIDAY, ATLANTA. GA”, 2016
VERSO ARCHIVAL PRINT
20 X 24 IN — EDITIONS 1-5, AP1, AP2 OF 5 + 2AP
COLLECTION OF THE MCNAY ART MUSEUM

Mark Moore Fine Art is proud to announce that the McNay Art Museum has acquired ‘Holiday, Atlanta. GA’ (2016) by artist Amy Elkins for its permanent collection.

Elkins works primarily in photography and installation, exploring the complexities of gender, race, and identity — including how they are impacted by systems of power: prisons, the military, colonization, and hierarchies built upon social constructs. Her approach is series-based, steeped in research, oscillating between the formal, conceptual, and documentary.

Elkins received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University. Her first book, Black is the Day, Black is the Night, won the 2017 Lucie Independent Book Award. She is based in Berkeley and Sacramento, CA.

For more information on this artist: https://www.markmoorefineart.com/artists/amy-elkins2

#markmoorefineart #markmooregallery #amyelkins #photography #modernart #contemporaryart #artcollector

Discover “Energy and Motion II: Abstraction 2026”, an exclusive online group exhibition presented by Mark Moore Fine Art on ARTSY

Discover Energy and Motion II: Abstraction 2026, an exclusive online group exhibition presented by Mark Moore Fine Art on ARTSY. Featuring 19 visionary artists, this show explores abstraction as “energy and motion made visible,” capturing vibrant movement through diverse materials and techniques.

Artists include Rebekah Andrade, Michael Batty, Tim Bavington, Larry Bell, Kara Maria, Helen Pashgian, Penelope Umbrico, and many more.

For more information and to explore the exhibition, visit Mark Moore Fine Art’s ARTSY exhibition page at: https://bit.ly/46cRbKM

Experience the dynamic interplay of form, color, and energy—on view now through November 29, 2026.

Explore the full exhibition and immerse yourself in the power of abstraction. For details, visit our website at www.markmoorefineart.com or contact info@markmoorefineart.com

#AbstractArt #ContemporaryArt #ArtExhibition #OnlineExhibition
#Artsy #MarkMooreFineArt #AbstractPainting #ModernArt #ArtCollectors #ArtLovers #ArtGallery #VisualArt #ArtInspiration #EnergyAndMotion #Art2026 #FineArt #AbstractExpressionism #ArtShow #CreativeExpression #ArtCommunity

Mark Moore Fine Art Proudly Announces: Allison Schulnik’s Critter with Pointe Shoes Joins UC Irvine Langson Orange County Museum of Art Permanent Collection

ALLISON SCHULNIK, CRITTER WITH POINTE SHOES, 2015, OIL ON CANVAS, 40 × 31 IN (101.6 × 78.7 CM), COLLECTION OF THE UC IRVINE LANGSON ORANGE COUNTY MUSEUM OF ART

Mark Moore Fine Art is proud to announce that UC Irvine Langson Orange County Museum of Art has acquired an important work on canvas by artist Allison Schulnik for its permanent collection.

Allison Schulnik uses painting, ceramics, and hand-made, traditional animation to choreograph her subjects in compositions that embody a spirit of the macabre, a Shakespearean comedy/tragedy of love, death, and farce.

https://www.markmoorefineart.com/artists/allison-schulnik

#markmoorefineart #markmooregallery #allisonschulnik #painting #modernart #contemporaryart #artcollector

Mark Moore Fine Art is proud to announce that LAGUNA ART MUSEUM has acquired an important work by artist AMY ELKINS for its permanent collection

AMY ELKINS
Four Years out of a Death Row Sentence (Ocean), 2009-2016
Archival Pigment Print
Collection of the Laguna Art MuseumEdition of FIFTEEN in three sizes:
20 x 24 / 20 x 30 in. – Edition of 5 – $2,500
30 x 40 / 30 x 45 in. – Edition of 5 – $4,000
40 x 50 / 40×60 in. – Edition of 5 – $5,500

A pen pal 26 years into his sentence in a landlocked prison, described an early childhood memory that haunted him, of walking further and further into the ocean during low tide until the sudden depth and darkness before him overcame him with fear.
Mark Moore Fine Art is proud to announce that LAGUNA ART MUSEUM has acquired an important work by artist AMY ELKINS for its permanent collection. 

Amy Elkins (American, b. 1979) is a visual artist and educator based in Berkeley and Sacramento, CA. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University.  She works primarily in photography and installation and has spent the past fifteen years researching, creating and exhibiting work that explores the complexities of gender, race and identity, including how they are impacted by systems of power: prisons, the military, colonization, and hierarchies built upon social constructs.  Most recently Elkins’ work pivots to include explorations of self as well as her family’s deeply rooted and complex history in Southern California as an 8th generation born on Tongva/Gabrielino land in the greater Los Angeles area with the ancestral blood of both colonized and colonizer.  Her approach is series-based, steeped in research and oscillates between formal, conceptual and documentary.

Elkins has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more.  Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others.   She was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship.  Past awards include the Aperture Portfolio Prize,  Peter S. Reed Foundation grant, Cadogan Award and more. 

Founded in 1918, the Laguna Art Museum is located at 307 Cliff Drive in Laguna Beach, CA. It is the oldest cultural institution in Orange County. Dedicated exclusively to California art, the museum preserves the state’s history through a permanent collection of over 3,500 works spanning from 1860 to the present. The museum began as the Laguna Beach Art Association, formed by a small group of local artists (including Edgar Payne, who served as its first president in 1920). In 1929, the association opened a custom-built gallery designed by noted Los Angeles architect Myron Hunt. This original space is now preserved as the museum’s Steele Gallery. It was renamed the Laguna Beach Museum of Art in 1972 and took on its current name in 1986 following an expansion.

For more information on this artist, go to: www.markmoorefineart.com

Mark Moore Fine Art proudly presents ULTRA 26, an exclusive ARTSY online group exhibition featuring new works from 23 talented gallery artists

Mark Moore Fine Art proudly presents ULTRA 26, an exclusive ARTSY online group exhibition featuring new works from 23 talented gallery artists. Continuing a tradition that began with the “Ultrasonic International” Exhibition in 2006, this show highlights a diverse range of mediums and styles, showcasing the vibrant creativity of our artists.

Experience fresh, innovative pieces from: Josh Azzarella, Mark Bennett, Iván Carmona, Ken Craft, Dennis Ekstedt, Amy Elkins, Vernon Fisher, Jennifer Gunlock, Todd Hebert, David Klamen, Dimitri Kozyrev, Beth Lipman, Jeffry Mitchell, Okay Mountain, Max Presneill, Joseph Rossano, Kim Rugg, Christopher Russell, Jason Salavon, Allison Schulnik, Heidi Schwegler, Dirk Stashke, and Yoram Wolberger.

Dive into the cutting edge of contemporary art with ULTRA 26—an unmissable celebration of creativity and talent.

VIEW THIS SHOW NOW AT: https://bit.ly/4ybDwQo

Visit www.markmooregallery.com for more info.

#MarkMooreFineArt #ULTRA26 #ContemporaryArt #GroupExhibition #ArtShow #GalleryArtists #ModernArt #ArtCollectors #VisualArt #ArtExhibition #Artsy #EmergingArtists #FineArt #CreativeExpression #ArtLovers #ArtCommunity #InnovativeArt #MixedMedia #ArtGallery #SupportArtists

Mark Moore Fine Art is proud to announce that the Museum of Fine Arts, Houston has acquired a work on paper by artist MICHAEL BATTY for its permanent collection

Michael Batty
Ipswich Drawing #6, 2003
Graphite on vellum
8”x8” / 16”x16” framed
Collection of the Museum of Fine Arts, Houston
Mark Moore Fine Art is proud to announce that the Museum of Fine Arts, Houston has acquired a work on paper by artist MICHAEL BATTY for its permanent collection.

Michael Batty is an artist that operates with a formal language arising from a microcosm of the particle world. The minimalist pieces speak with geometry and line, and explores the balance between order and chaos by introducing random elements to the tightly rendered surfaces. The artist builds up a webbed network of intersecting lines by cutting into the surface of the painting with a knife; creating thin ridges and minute grooves. The incised lines catch and divert the paint, creating a random ground of pigment with a shifting depth of color to create quantum imagery.The Ipswich Series works were created in 2003 after a canoe trip in Boston on the Ipswich River. Recalling nature and the reflection of the trees in the water. They are an echo, comprised of a single line bouncing throughout the pictorial space. They also served as studies and possibilities for the Cut Line Abstraction Series. Michael Batty graduated from the Emily Carr College of Art and design in Vancouver BC with a major in painting. He attended the renowned Emma Lake Artist Workshops in Northern Saskatchewan in the years spanning 1993-1996. He also studied printmaking at the Art institute at Capilano College in Vancouver BC. Batty’s paintings can be found in collections around the world, including the Museum of Fine Arts, Houston, The University of Nevada, Las Vegas, Waldorf Astoria in Beijing, China, W Guangzhou, China, Four Seasons, Dubai, UAE, White Plains, New York and the Bank of Montreal in Calgary and Toronto. The artist’s practice currently includes painting, drawing, photography, and sculpture. The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. The permanent collection of the museum spans more than 5,000 years of history with nearly 80,000 works from six continents. The Museum of Fine Arts, Houston (MFAH) is the oldest art museum in Texas. In 1917, the museum site was dedicated by the Houston Public School Art League (later the Houston Art League) with the intention of becoming a public art museum. The first museum building was opened to the public in 1924.The original building, designed by Houston architect William Ward Watkin in the Greek Neoclassical style, is the first art museum built in Texas. Today the MFAH encompasses three buildings, the Caroline Wiess Law, Audrey Jones Beck, and Nancy and Rich Kinder buildings, that house its primary collections and temporary exhibitions; two decorative arts house museums; The Glassell studio art school; a sculpture garden; a facility for conservation, storage and archives; and an administrative building with the Glassell Junior school of Art.

Click here for more information on this artist: https://www.markmoorefineart.com/artists/michael-batty

Discover “Energy and Motion II: Abstraction 2026”, an exclusive online group exhibition presented by Mark Moore Fine Art on ARTSY

Discover Energy and Motion II: Abstraction 2026, an exclusive online group exhibition presented by Mark Moore Fine Art on ARTSY. Featuring 19 visionary artists, this show explores abstraction as “energy and motion made visible,” capturing vibrant movement through diverse materials and techniques.

Artists include Rebekah Andrade, Michael Batty, Tim Bavington, Larry Bell, Kara Maria, Helen Pashgian, Penelope Umbrico, and many more.

For more information and to explore the exhibition, visit Mark Moore Fine Art’s ARTSY exhibition page at: https://bit.ly/46cRbKM

Experience the dynamic interplay of form, color, and energy—on view now through November 29, 2026.

Explore the full exhibition and immerse yourself in the power of abstraction. For details, visit our website at www.markmoorefineart.com or contact info@markmoorefineart.com

#AbstractArt #ContemporaryArt #ArtExhibition #OnlineExhibition
#Artsy #MarkMooreFineArt #AbstractPainting #ModernArt #ArtCollectors #ArtLovers #ArtGallery #VisualArt #ArtInspiration #EnergyAndMotion #Art2026 #FineArt #AbstractExpressionism #ArtShow #CreativeExpression #ArtCommunity

Mark Moore Fine Art is proud to announce that The Frederick R. Weisman Art Foundation has acquired a set of photo-based works by artist collective MAX PRESNIELL for its permanent collection

Max Presneill
Parallax #2 (little red), 2022
Oil, spray paint, acrylic, marker, collage elements on canvas over panel
55 × 46 in (139.7 × 116.8 cm)
Collection of The Frederick R. Weisman Art Foundation
Mark Moore Fine Art is proud to announce that The Frederick R. Weisman Art Foundation has acquired a set of photo-based works by artist collective MAX PRESNIELL for its permanent collection.

Max Presneill (b. 1963, Britsh) is an artist and curator based in Los Angeles, originally from London, UK. A painter with works that explore mortality, existential drive, class & political sub-texts, tribalism, sub-cultural iconography and masculine identity, he has exhibited throughout the world including Los Angeles, New York, London, Amsterdam, Paris, Stockholm, Berlin, Istanbul, Sydney, Beijing, Tokyo and elsewhere, and is represented by Patrick Painter, Inc, as well as the Durden & Ray collective in Los Angeles. He is also represented by TW Fine Art in Brisbane, Australia, GCC Arte Contemporaneo in Merida, Mexico, The Farm & Distillery in Berlin  and also works with ICFA in Beijing, Gallery Lara, Tokyo, S Gallery (LA and South Korea) and Shatto Gallery (LA). His work has also been shown at art fairs including The Armory Show (NYC), The Stray Show (Chicago), The Art Los Angeles Contemporary, Hong Kong Art Fair, Clavo Art Fair (Mexico City) the Los Angeles Art Show, Supermarket Art Fair (Stockholm), QiPO (Mexico City) and Miami Projects (Miami) and in both the Yokohama Triennial and 13th Istanbul Biennial parallel events. 

The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time.

In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. The villa was designed by Gordon B. Kaufmann in the late 1920s and exhibits the craftsmanship characteristics of that period, including hand-painted ceilings, stucco details, and wood-inlaid floors.

The collection of over 400 works includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist.

Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

FOR ADDITIONAL INFORMATION ON THIS ARTIST, GO TO: https://www.markmoorefineart.com/artists/max-presneill